Born in Paris, Félix Bracquemond studied under Paul Delaroche and began exhibiting at the Salon at a young age. Initially influenced by Realism, he later aligned with the Impressionist movement, forming close connections with Édouard Manet and Claude Monet. Best known for his work in etching and engraving, Bracquemond was a strong advocate of japonisme, and was responsible for introducing innovative methods within his artistic circles. His engagement with Japanese woodblock printing significantly influenced both Edgar Degas and Manet. An influential figure in the Société des Aquafortistes, he played a key role in elevating the status of printmaking in France. In his later years, Bracquemond dedicated himself to engraving while continuing to produce watercolours and drawings.
Bracquemond’s drawings of woods and forests are notable for their delicate, atmospheric qualities and for their intricate rendering of light and texture. Our representation of dense undergrowth is reflective of his broader interest in nature and his ability to blend Realism with a more poetic, almost Symbolist interpretation of the spiritual and emotional resonance of the woods.